All in Autumn Issue 2022

How do you get an agent?

Whenever a blag of cinematographers assemble (that is the correct term for a group of DOPs right?) three things are certain: we will talk at great length about lenses, there will be hangovers, and in hushed tones, the subject of agents will come up. Like conspiracy theorists discussing the latest sasquatch sighting, wild theories about agents will be shared and advice on how to catch a glimpse of one will be exchanged. One doubter will challenge whether or not they exist at all while another sagely shares a summoning ritual for agents they learnt from a film meme. Did you know that if you are going to feed an agent, you should do so with a flat hand so that they don’t bite your fingers? Of course it goes without saying, one shouldn’t be feeding wild agents at all.

An Introduction to Working on Film (Real Film!)

There comes a point in everyone’s career where you get an opportunity to work on film, whether 16mm, 35mm or others. Usually this first opportunity comes with incredible excitement and stress. I know it did for me! There are a few different ways of learning how to load or work with film. If it’s within your financial means, there are different short courses you can take at GBCT or NFTS, where the most experienced people will teach you the ins and outs of working with film on a variety of cameras. Another option is to ask a DOP, focus puller or loader to do you a favour and take you to a rental house and pass on their knowledge themselves. I was lucky enough to be taught this way.

In conversation with Anna Rhodes: Production Designer.

Anna: I always knew I wanted to study in London, but I couldn’t decide between spatial design or graphic design (eventually I decided to do graphic design). The degree was really broad and was far more, what I now know to be, based around art direction than pure graphic design, but I still had no idea that production design and art direction were an option for jobs at that point.

Spooky season is upon us! Cinegirl’s top Halloween watches this year 🎃

We’re saying goodbye to summer! And whether you’re a ‘thank god that’s over’ kind of person or you’re already missing cocktails on the beach, there’s one thing to thank autumn for: the great spooky films and TV series that are always guaranteed to hit our screens. We’ve rounded up the best creepy, quirky, and blanket-reaching watches for you to get both snuggly and scared in equal measure.

Shelf Indulgence: A Cinegirl (Book) Club Event

The Cinegirl Club has been established in partnership with industry-leading motion picture equipment company Panavision to carve out a place for authentic, industry-inspired events designed to bring talent and industry together, and to provide a platform for insights and discussions from professionals across the film industry. Cinegirl Club enables members to unwind, receive industry guidance, and network to nurture genuine contacts and relationships - relationships based on mutual respect and a shared passion for the meaningful advancement of women and underrepresented voices in the film industry.

Tania Freimuth: Cinematographer

Personally, I felt a crisper look would be beneficial, the story is set in current times, but with a gentle roll off. We agreed that we needed the colours to pop, to downplay cold tones and accentuate warm hues which would favour the cast who had a mixed range of skin tones. The decider was the cast screen test for camera & wardrobe which revealed the S4’s had everything we wanted in spades and their low contrast provided the subtle softness I was looking for.

TIFF Highlights and Films to Keep an Eye On

The Toronto International Film Festival is one of the largest publicly attended film festivals in the world. It runs for 10 days, starting on the Thursday after Canada's Labour Day. From big crowd pleasers to hidden gems by emerging filmmakers, TIFF debuts some of the year’s most anticipated titles, prompting on what performances and films might get nominations in the awards season.